Reginald “Reg” Bunn was a fantastic British comic artist best known for being the co-creator next to Ted Cowan of the anti-hero The Spider. His popularity seems to have grown over the years, but very little is known about his life. Although by no means comprehensive, this blog post brings together the bits and pieces of information scattered around the net and in some ‘old fashioned’ books to give a biography of one of the most prolific British artists. Continue reading “Artist Highlights: Reg Bunn”
The Comic Creators Project at the Cartoon Museum in London has original artwork from The Adventures of Luther Arkwright, a limited series comic written and drawn by Bryan Talbot between 1978 and 1989. It was followed by a sequel called Heart of Empire: The Legacy of Luther Arkwright in 1995, which was published by Dark Horse Comics. In 2014, this publisher released Arkwright Integral, which combined both stories with an introduction by Michael Moorcock, an afterword by Warren Ellis, and plenty of additional material. This graphic novel is featured in the exhibition The Great British Graphic Novel (20th April – 24th July, 2016).
The Comic Creators Project at the Cartoon Museum in London has original artwork from The Tale of One Bad Rat, a four-issue limited series comic created by Bryan Talbot between 1994 and 1995. It was published by Dark Horse Comics and soon after a collected edition was released. This graphic novel is featured in the exhibition The Great British Graphic Novel (20th April – 24th July, 2016).
The Comic Creators Project at the Cartoon Museum in London has original artwork from one of the most iconic graphic novels of the 20th century: V of Vendetta. Written by Alan Moore and drawn by David Lloyd, with additional colours done by Steve Whitaker and Siobhan Dodds, it was originally serialised between 1982 and 1985 in Warrior, then reprinted in the USA by DC/Vertigo who picked it up in 1988 and published the series to completion. Currently, the last page is being displayed at the Comics Gallery in the Cartoon Museum. This graphic novel is also featured in the exhibition The Great British Graphic Novel (20th April – 24th July, 2016).
The Comic Creators Project at the Cartoon Museum in London has original artwork from the adaptation into a graphic novel of D.H. Lawrence’s racy novel Lady Chatterley’s Lover by Hunt Emerson for Knockabout Comics in 1986. Currently it is being displayed at the Comics Gallery in the Cartoon Museum. This graphic novel is also featured in the exhibition The Great British Graphic Novel (20th April – 24th July, 2016).
As this blog post does make reference to the explicit contents of the novel, wives, servants and those of a sensitive disposition are forewarned!
The Comic Creators Project at the Cartoon Museum in London has the only page of original art on public display from one of the most iconic comics of all time: Watchmen. Written by Alan Moore, drawn by Dave Gibbons and coloured by John Higgins, it was published by DC Comics between 1986 and 1987 in a 12-issue comic book limited series before it was collected in a single volume in 1987. The Comic Creators Project was able to acquire one page of the original art and it can now be seen in the Comics gallery at the Cartoon Museum. This graphic novel is featured in the exhibition The Great British Graphic Novel (20th April – 24th July, 2016).
In November – December 2015, the Cartoon Museum’s Comics Creators Project partnered with Mind in Harrow to run a series of cartoon art workshops for adults experiencing stress, anxiety or low mood. Project curator Steve Marchant developed a series of workshops with cartoonist/tutor Richy K Chandler and Mind’s Emily Danby that Richy delivered every Wednesday for 8 weeks. The workshops were well-attended and we are proud to display some of the developmental and finished work that was produced by some of the participants.
The workshops were co-funded by the Cartoon Museum via its Heritage Lottery funding, and by MIND in Harrow.
We have every hope to work with MIND again in 2016.
Comments from some of the participants:
“We are a group of creative people who, with the support of Mind in Harrow, have been exploring the power of cartoon art as a tool for self-expression. We all have lived experience of anxiety, depression and other related issues and we also all share a talent for art, which this course has helped us to use as an outlet to manage conflicting emotions.
The Comic Creators course has opened up our minds to a new perspective on comic art and graphic novels. We find ourselves to be more expressive and give other feeling through art, giving us an individual aspect of ourselves in our artwork. This helps break down the prejudice, stigma, and discrimination of people with mental health, taking away the conventional ideas that you cannot be creative or talented with mental health issues. It overcomes our self-doubt and fills us with the confidence to create art in our own style.
We came together and learned so much more that we expected to know about comics. Through the course, we also learned that we are not alone in our ideas of life, humour, and a good story narrative. This brings back our confidence and feelings of being connected to society.”
“The Comic Creators course opened a new world for me. I used to love comics for their story and art, but now I see how it helps people express themselves, to relax and think about what we hear, see, feel on certain things.”
“The course helped me to tap into my creative energies.”
“What did I think of the course? Wow! Loved it! Enlightening and cool.”
“I never had much interest in comics as a child, and I wondered if this course would be for me. I’m so glad I joined! An excellent course and tutor. It was exciting expressing the surge of images, ideas and comic concepts which came swirling in my mind, and putting them into visual form. I’ve really caught the comic bug!”
These workshops had been possible thanks to the support of the Comic Creators Project at the Cartoon Museum funded by the Heritage Lottery Fund and by MIND in Harrow.
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To write about Leo Baxendale is to write about one of the most prolific, funny, subversive, and revolutionary comic artists in the UK. According to cartoonist Lew Stringer, “Leo is the most influential artist in British humour comics over the past 60 years. Even today, long after Leo retired from traditional children’s comics, his style is still evident in the pages of The Beano and other comics. His strips were certainly a big influence on my work and that of artists such as David Sutherland, Tom Paterson and Nigel Parkinson.” (Blimey!)
Several books could be written about his life and the impact that he has had on children and young artists throughout the decades. Alas! A simple blog post will not do him justice, but we are certainly going to try. Baxendale will be the first of our artist highlights for the Comic Creators Project at the Cartoon Museum.
The Comic Creators Project at the Cartoon Museum in London has original artwork from the Danger Mouse comic strip that appeared in Look-In magazine in 1982. The artwork was done by Arthur James Ranson (b. 1939) and the script was written by Angus P. Allan (1936-2007). It features two consecutive pages, but only one of them is usually on display at the Comics Gallery in the Cartoon Museum. This blog post offers additional information on the history of publication of this comic and on one of the greatest cartoon characters ever created in the UK: Danger Mouse!